But as a novel it provides limited entertainment for largely a male market. There's a certain sureness of technique - objectivity of approach that has its value. Even his numerous affairs stir no emotion in the reader, either for Stark himself or the women he used. His relations with the wife he used and pushed aside, with the son he idolized and ruined have no atom of depth in humanity. Its weakness lies in its very dispassionate presentation - one feels neither dislike nor sympathy for Willie Stark. But All the King's Men, while enmeshed in political chicaneries, is a much more highly personalized story than Number One, and at the same time never an emotional or sentimental story (as many found the Langley book). This conception of Willie Stark comes much closer to the Dos Passos character - and the method used of having his publicity man tell the story bears close parallels. Warren's character, Willie Stark, a young lawyer from back country in the Deep South, abuses the gift of power as did the central figure in A Lion Is In the Streets by Adria Langley and Number One by Doe Passos. Once again Huey Long has provided the prototype for a novel built around a tycoon in the making.
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